Contact us

Faculty of Arts and Social Sciences
Kingston University
Penrhyn Road
Kingston upon Thames
Surrey KT1 2EE

Tel: +44 (0)20 8417 9000

Seminars

All welcome to attend.

Seminars take place at 4pm in Coombehurst Studio, Kingston Hill. Please contact  Dr Caroline Potter for more information.

Spring 2012

Date Title
30 January 2012 Keith Ford (Kingston University): 'The peripatetic teacher: building the teenage voice through education concerts'
13 February 2012 Dr Tim Ewers (Kingston University): 'REF, what are you doing?'
27 February 2012 Dr Paul Archbold (Kingston University / Director, Institute of Musical Research): 'Climbing a mountain: filming performers and composers'
19 March 2012 Prof. Andrew Hugill (De Montfort University): 'Transdisciplinary research in creative technologies'
23 April 2012 Dr Peter O'Hagan (pianist and academic): 'Interpretation or approximation? The performance of contemporary repertoire'

Autumn 2011

Date Title
3 October 2011 Dr Caroline Potter (Kingston University): 'Marche gaie: a rediscovered work by Lili Boulanger' (featuring Roy Howat, piano)
17 October 2011 Dr Will Edmondes (Newcastle University): 'Irresistible Wrongness: Straight-Up Pop & Its Bent Aesthetics'
7 November 2011 Louise Gibbs (freelance musician, teacher and researcher): 'Evaluating musical improvisation: the road to ruin or revelation?'
28 November 2011 Sini Timonen (City University): 'The girl singer in 1960s England'
12 December 2011 Prof. Simon Emmerson (De Montfort University): 'The poetics of live electronic music'

Spring 2011

Date Title
7 February 2011 Dr Helen Julia Minors (Kingston University): 'Creating a Soundpainting: Gesture and music in live composition'
14 February 2011 Dr Louise Harris (Kingston University): 'Causality and equilibrium in abstract audiovisual composition'
28 February 2011 Dr Rupa Huq (Department of Sociology, Kingston University): 'The Sound of the Suburbs: situating pop texts and contexts on the edge'
14 March 2011 Dr John Ferguson (Kingston University): 'Performing technologies'
4 April 2011 Dr Aaron Williamon (Royal College of Music): 'Musical impact: A study of the effects of music making on musicians' health and wellbeing'

Autumn 2010

Date Title
4 October 2010 Prof. Matthew Pateman (Kingston University): 'Music Video, Star Creation and Masculinities'
18 October 2010 Prof. Roger Dean (University of Western Sydney, Australia): 'Algorithmic synaesthesia: approaches to multimodal composition'
8 November 2010 Dr Caroline Rae (Cardiff University): 'Exoticist, Debussyist and Modernist: Marius-François Gaillard Rediscovered'
15 November 2010 Dr John Dack (Senior Research Fellow, Middlesex University): 'The instrument and the studio'
6 December 2010 Prof. Simon Keefe (Sheffield University): 'Mozart's Requiem: Fact and Fiction in the Nineteenth Century'

Spring 2010

Date Title
1 February 2010 Dr Briony Williams (Royal Academy of Music): 'Being Creative: A Nineteenth Century Model'
15 February 2010 Dr Richard Osborne (Kent University): 'The Death of the Record Shop'
1 March 2010 Dr Oded Ben-Tal (Kingston University): 'Things you can hum: melodic writing and linear thinking in my compositions'
15 March 2010 Dr Diana Salazar (Kingston University) and Manuella Blackburn (Manchester University), aka The Splice Girls: 'Splice and Dice: Dichotomies between Acousmatic Composition and Laptop Improvisation'
26 April 2010 Susan Greenwood (Kingston University): 'Thomas Adès' music in context'

Autumn 2009

Date Title
5 October 2009 Professor Amanda Glauert (Kingston University): 'Can Beethoven write songs?'
26 October 2009 Dr Stephanie Pitts (Sheffield University): 'Roots and routes in adult musical participation: investigating the impact of home and school on lifelong musical interest and involvement'
9 November 2009 Dr Michael Brocken (Liverpool Hope University): 'Not just the Beatles: the Liverpool popular music scene'
23 November 2009 Dr Roy Howat (Royal Academy of Music): 'Chabrier: the Man from the Ministry'
7 December 2009 Dr Muriel Swijghuisen Reigersberg (Kingston University): ''We go forward with our singing': Applied Ethnomusicological Research in Aboriginal Australia'

Spring 2009

Date Title
9 February 2009 Peter Kaye (film composer and Kingston University PhD student): 'Spy in the house of love: Media music, how and why?'
16 February 2009 Nigel Simeone (Professor of Historical Musicology, Sheffield University): 'The birth of a Broadway classic: the origins of West Side Story'
23 February 2009 Stephen Roberts (professional horn player, Royal Military School of Music): 'A 'new' Mozart horn concerto'
16 March 2009 Gregory Rose (composer and conductor): 'The Stockhausen experience'
20 April 2009 Stace Constantinou (Kingston University PhD student): 'The missing tones of modernity: on tuning'

Autumn 2008

Date Title
6 October 2008 Philip Chambon (Kingston University): 'No synths!: Notes from a choreographer/composer collaboration'
20 October 2008 Mike Searby (Kingston University): 'Ligeti's reinvention in his late concertos: nostalgia or renewal?'
10 November 2008 Caroline Potter (Kingston University): 'The composer, the choreographer and the film star: Henri Dutilleux's music for ballet'
24 November 2008 Paul Archbold (Kingston University) and Christopher Redgate (freelance musician): 'Multiphonics unveiled'
1 December 2008 Jane Manning (Visiting Professor of Performance, Kingston University): 'Messiaen's song cycle Harawi'

Spring 2008

Date Title
4 February 2008 Christopher Redgate (freelance musician): 'Reinventing the oboe'
11 February 2008 Dai Griffiths (Oxford Brookes University): 'File under popular (with some under 'classical')? The music of Elvis Costello'
25 February 2008 Nigel Simeone (Sheffield University): 'Making music in occupied Paris (1940-44)'
7 April 2008 Jane Manning (Visiting Professor of Performance): 'Researching Schoenberg's Pierrot Lunaire'
28 April 2008 Professor Michael Clarke (Huddersfield University: 'Composing with live computer transformations'

Autumn 2007

Date Title
8 October 2007 Roy Howat (Royal Academy of Music): 'Russian imprints on French piano music, 1880-1915'
22 October 2007 Mike Searby (Kingston University): 'Problems of musical style for today's composers'
5 November 2007 June Boyce-Tillman (Winchester University): 'Music and peace-making in educational contexts'
26 November 2007 Susan Hallam (Institute of Education, London): 'How can what we know about learning in music guide teaching?'
10 December 2007 Caroline Potter (Kingston University): 'From East to West and Back Again: Contemporary East Asian Composers in Paris'

Spring 2007

Date Title
29 January 2007 Peter Kaye (Film composer and Kingston PhD student): 'Film Music Psychology and the Modern Action Cue'
12 February 2007 Dr Tim Ewers (Kingston University): 'It's all in the timing: proportion in musical composition'
26 February 2007 Jane Masters (Kingston University): 'A theoretical basis for human creativity'
12 March 2007 Gloria Toplis (Kingston University): 'Antonin Rejcha: composer, teacher. revolutionary?'
23 April 2007 Sini Timonen (Kingston MA by Research student): 'Researching women in rock'

Autumn 2006

Date Title
2 October 2006 Professor Robert Orledge (Emeritus Professor, Liverpool University): 'Reconstructing Debussy's opera The Fall of the House of Usher'
16 October 2006 Dr Mike Searby (Kingston University): 'Ligeti: the reluctant postmodernist?'
13 November 2006 Dr Paul Archbold (Kingston University): 'The Marriage of Heaven and Hell: two works from William Blake'
20 November 2006 Jane Masters (Kingston University): 'A theoretical basis for human creativity'
4 December 2006 Kenneth Hesketh (Royal College of Music): 'Text, subtext, mechanisms: a labyrinth of meaning'
Photograph of a group of students playing music