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Faculty of Arts and Social Sciences
Kingston University
Penrhyn Road
Kingston upon Thames
Surrey KT1 2EE

Tel: +44 (0)20 8417 9000

Melancology: Black Metal Theory Symposium II

Date:13 January 2011, 1:00pm to
13 January 2011, 10:00pm
Location:The Fighting Cocks, Old London Road, Kingston upon Thames

Another gathering dedicated to the mutual blackening of metal and theory

Reigstration

  • Online booking is no longer available for this event. Tickets may be purchased, subject to availability, on the door. Payment must be made via cash or cheque only.

Programme

Melancology

Black metal irrupts from a place already divested of nature, a site of extinction, ‘a place empty of life / Only dead trees …’ (Mayhem, ‘Funeral Fog’, 1992); ‘Our skies are forever black / Here is no signs of life at all’ (Deathspell Omega, ‘From Unknown Lands of Desolation’, 2005). As such black metal could be described as a negative form of environmental writing; the least Apollonian of genres, it is terrestrial – indeed subterranean and infernal – inhabiting a dead forest that is at once both mythic and real unfolding along an atheological horizon that marks the limit of absolute evil where there are no goods or resources to distribute and therefore no means of power and domination, a mastery of nothing.

A new word is required that conjoins ‘black’ and ‘ecology’: melancology, a word in which can be heard the melancholy affect appropriate to the conjunction. A new word implies a new concept and we know from Deleuze and Guattari that concepts have to fulfil three criteria. Accordingly, the plane of immanence of melancology is extinction and non-being. All things are destined for extinction; immanent to all being is the irreducible fact of its total negation without reserve or remainder. The development of the characteristics of melancology is to be addressed at the Symposium, of course, but there are already a number of apophasic determinations: it is not ecology, it is anorganic; it is not political economy, it is anti-instrumental; it is not love of nature, environmentalism, Gaia, geophilosophy … But it implies an ethos and a style that delineates the third aspect of the concept, its embodiment in a conceptual personae: the black metal kvltist whose ethos runs across the spectrum of melancholy from bile and rage to sorrow, depression and the delectation of evil all the better to affirm the desolation s/he contemplates in the sonorous audibility of black metal’s sovereign dissonance.

This environment of absolute evil is exactly the same as the absolute good of black metal itself: the expenditure of a sonic drive that propels a blackened self-consciousness, a melancological consciousness without object that is the necessary prior condition to any speculation on or intervention in the environment.

The Black Metal Theory Symposium thus invites speculation and interventions on the blackening of the earth, landscapes of extinction, starless aeon, sempiternal nightmares, black horizons, malign essences, Qliphothic forces from beyond … in a general re-conceptualization of black ecology.

Live Act

  • Abgott

Plenary speaker

  • Eugene Thacker, 'Sound of the Abyss'

Contribution from

  • Reza Negarestani, ‘Solar Infernal and the earthbound Abyss’

More information

Marketing & Events Officer
Faculty of Arts and Social Sciences
Kingston University
Penrhyn Road
Kingston upon Thames
KT1 2EE

Tel: +44 (0)20 8417 2853
fass-conferences@kingston.ac.uk

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